2017
The window as the connection from the outside to the inside: on the one side it gives insight to otherwise secluded spaces, into the privacy of people. On the other side, you have an open view of the world, on passersby, on the life, outside of the walls.
What all images have in common: they are cut-outs of cut-outs of a world. They become an intersection and meeting place, they stage the contact from the outside to the inside and initiate at the same time a communication between the photography and its counterpart. The viewer becomes a part of the image without his doing – he becomes the back figure. He himself becomes a double viewer – of the image as well as of the image within the image.